2016 RIGHTS OF NATURE TRIBUNAL AUSTRALIA

 

RIGHTS OF NATURE TRIBUNAL AUSTRALIA 2016

22nd October 2016, Banco Court, Brisbane

AELA is hosting a one-day Rights of Nature Tribunal in Brisbane on 22nd October 2016.  This citizen’s tribunal will hear cases presented by citizens and Earth lawyers concerned about the destruction of ecosystems and the Earth community in Australia.  Australia’s RON Tribunal is a ‘regional chamber’ of the International Rights of Nature Tribunal.  Information about the International Tribunal can be found on this website: http://therightsofnature.org/rights-of-nature-tribunal/ 

As a ‘citizen’s tribunal’ the RON Tribunal is not a government endorsed activity nor do any of its activities, decisions or recommendations have the force of government-sanctioned law.  The Tribunal’s aims are as follows: to provide an important forum for citizens of Australia to speak on behalf of the Earth community; to challenge the current legal system’s failure to protect the health of the natural world; to highlight the role that government agencies and corporations play a part in destroying the Earth community and to recommend what citizens would like to see happen, to protect and restore Australia’s precious ecosystems and wider Earth community.

The Tribunal will be conducted seriously and with great respect to the venue (Banco Court) and all participants and cases.  The Tribunal will be run according to rules developed for such Tribunals by the Global Alliance for the Rights of Nature.  A panel of judges will hear the cases and make recommendations. Citizens, scientific experts and legal experts from around Australia will be invited to participate.

At this stage, AELA is planning that the Tribunal will hear depositions from citizens and Earth lawyers, to admit their cases to the Tribunal for further deliberation during late 2016 and early 2017.  The cases that AELA’s RON Tribunal expects to hear are as follows:

  • Mardoowarra/Fitzroy River (Western Australia) vs the Federal and WA Governments. 
    This case will be presented by traditional custodians of the Mardoowarra/Fitzroy River and will include claims that the River must have its legal rights recognised, in accordance with the traditional custodians’ ‘first laws’ and the rights of nature - Dr. Anne Poelina
  • The Atmospheric Commons vs Australia Government and the Fossil Fuel Industry. 
    This case will challenge Australia’s inaction on climate change and will feature some of Australia’s leading climate scientists and civil society climate advocates.
  • The Forests of Australia vs Federal and State Governments. 
    This case will be presented by forest protectors from Tasmania, East Gippsland, Queensland, Western Australia and Northern NSW, challenging the legality of native logging across the continent.
  • The Great Artesian Basin vs Federal & State Governments and Coal Seam Gas Industry. This case will hear evidence from scientists, community members and civil society organisations such as Lock the Gate, about the contamination and depletion of Australia’s precious groundwater.
  • Earth Defenders vs the Tasmanian, NSW and WA Governments.
    This case will challenge the treatment of environmental protectors and Earth advocates, under new legislation aimed at suppressing peaceful protest activity in various Australian jurisdictions.
  • Watching brief: The Great Barrier Reef vs Australian and Queensland Governments.
    The Tribunal will receive an update on the status of the Great Barrier Reef, which was the first case that Australia took to the International Rights of Nature Tribunal. Concerns for the Reef have heightened in light of the 3rd April announcement by the Queensland Government that it has approved the mining leases for the Adani Carmichael Mine.

To support the Tribunal and promote cultural engagement with the emerging movement around the Rights of Nature, AELA has also created a major Earth Arts program for 2016, simply called ‘RONA16’.  AELA’s intention is to blend the creative re-interpretation of environmental governance with cultural responses to the rights of the natural world to flourish. More information about RONA16 can be found on this website: http://www.earthlaws.org.au/current-projects/earth-arts/earth-arts-rona16/ 

2016 May Update

 

Language and Culture Work

Madjulla has recently completed a comprehensive list of Nyikina Language materials.  This material will be published online and available through our website to inform the public and increase access to materials held in different repositories.   

 

Nyikina Cultural App ­ - Synopsis

In consultation with key Nyikina Community representatives the Nyikina Cultural App will enable:

  • Control of the design and development of culturally appropriate digital resources;
  • Mobile access on Android and Apple OS devices to digital material in multiple formats;
  • Updates to existing data in planned research, design and development increments;
  • Flexibility with service level agreements to include additional development teams.

The mobile app is a vital resource for the Nyikina Community as there are many cases of where online access to culturally appropriate material is inaccessible due to the variations of GSM coverage or online access to the internet. It is envisaged that this app will be accessible offline and that upgrades to content will occur when the device has been synced with the hosted mobile application data repository service.

 

Nyikina Cultural Database ­- Synopsis

In consultation with key Nyikina Community representatives the Nyikina Cultural Database will provide Madjulla Inc and the wider Nyikina Community with a secure hosted data repository for culturally sensitive digital materials.

Madjulla Inc has identified that there is an array of digital archives and current cultural material that is accessed on a daily level from a variety of local sources including short films, audio recordings, reports, documents and photos in a variety of formats.A cultural database would extend the capabilities and access for other to material which is currently distributed via a range of methods.

The service features secure, dedicated https:// access with advanced system administration and user permissions control, server set­up (full brand, layout, metadata ingest and collection creations) as well as nightly server snapshots (full backups, restore, retrieve to item level) and has fully minted DOI’s ­ full distribution of data by open access control using the DSpace data repository software.

The NCD will enable anyone who has been registered on the system to gain access to, contribute, update, download and share content according to the permissions they have been assigned by item, collection or community level within the system.

 

Touring Again, Globally!

We are currently in the developmental phase working with Gwen Knox of Big Mama Production following our successful tour of France in 2015. The performance was enjoyed by everyone who attended and we have been invited back to perform a new and extended version of the show for the 2017 festival. There is the option to take it to the festival of Perth in 2018 and tour it though out Europe. This is a huge commendation to Kimberley artists and in particular Kimberley Indigenous performers. The new performance will compare two stories about how landforms were made along two rivers; the Mardoowarra (Fitzroy) in Western Australia and the Meuse in France. It will include a variety of puppets, dance and acrobatics performed to original music written by Gwen Knox and Mark Coles Smith.

 

Research

Madjulla staff continue to building innovative research partnerships nationally and internationally.  

A partnership with the Faculty of Social, Human and Mathematical Sciences University of Southampton in the United Kingdom has been funded to bring researchers to the Kimberley for a “Talking Circle” to plan and develop a Strategic Interdisciplinary Research Project to Explore Carbon and Climate change and adaption combing the complimentary knowledge systems with traditional ecological knowledge for world’s better practice.  The Talking Circle is planned for early 2017.

Dr Anne Poelina is the Team Leader for a Kimberley Case Study developed through the Fonds Pacific (French Australian and Pacific Island Nations) Partnership. The project is delivered through the Australian National University in Canberra. The project champions the need to increase international attention focused on developing effective ways to improve integrated approaches to land and water management. The focus aims to identify key issues and opportunities via a scoping project based on number of case studies in the Pacific.

As part of this project Dr Poelina will be traveling to Fiji at the end of June to share her learnings from the Kimberley, with team members working across Pacific Island Nations.

 

Water Resources of The Mardoowarra

A report has been published by Associate Professor Ryan Vogwill, University of Western Australia which can now be downloaded as a PDF.

Download the report - PDF [ 1.4 MBs ]

Nyikina Cultural Centre

Through his (story) the mapping, division and forcible alienation of Aboriginal people from their country and land has meant that many aspects of knowledge has been lost to the repeat and insidious intention of such action.

The concept of the Nyikina Cultural Centre is as all cultural centres are for Aboriginal communities and their relatedness with travellers, associated services and as a service to protect country and culture. Specifically, our daily activity and the information we generate as users of the internet can assist in the establishment, funding, development and growth of the Nyikina Cultural Centre beginning as simply as 'place based' naming.

Note: This is a concept and serves the purpose of building awareness as to how important it is that we strategically point to country when growing our connections with others. The principals of geo-tagging information is the main driver of this post.

This is how you can assist in bringing this concept to a physical reality:

  • Social Media - geotag all posts that relate in any way to Aboriginal news or community activity to the Nyikina Cultural Centre, cnr Derby Highway and Derby Gibb River Road, Derby 6728 Western Australia  -17.344403, 123.665855 ....there maybe many more "hubs" and associated centres that the community is in control of.
  • Connect - Join the Nyikina Cultural Centre group on Facebook and tell us what you know about that location and it's significance for you and your community - what other ideas do you have to grow awareness of what is needed on country?:
  • Maps - build maps personally that use the internet to point to that geolocation  at the Nyikina Cultural Centre, cnr Derby Highway and Derby Gibb River Road, Derby 6728 Western Australia  -17.344403, 123.665855 and 'pin' digital artefacts such as photos to that location
  • Attribution - in papers, documents, books, email correspondence and in all other activities that are transmitted via the digital domain and Internet, consider how you can include the following in that transcript.

Nyikina Cultural Centre, cnr Derby Highway and Derby Gibb River Road, Derby 6728 Western Australia  -17.344403, 123.665855

Over time all of this activity generates an interest in a location that will soon be known as the main reference point for the Nyikina Cultural Centre as endorsed by the Nyikina community in derby and supported in kind and activity by members of Madjulla Inc.

Geolocation specific activity builds awareness and knowledge where largely information posted to the internet benefits the organisations who monitor our personal and collective activity only. This initiative however proactively creates interest via self generated activity that then brings about positive change and awareness - actionist principles at work!

1983 Seaman Aboriginal Land Rights Inquiry

In 1983 Lucy Marshall OAM resident of Pandanus Park near Broome in Western Australia participated in the Seaman Aboriginal Land Rights Inquiry. 

A letter was sent to Mr. Paul Seaman Qc. who was conducting an inquiry at the time into the conditions and challenges faced by Aboriginal people. A second letter was sent on the 24th August 1983 to clarify points made in the original letter regarding the Pandanus Park community.

The first letter is now available here - Seaman Inquiry Lucy Marshall Letter 1 [ PDF 7.3 MB ]

Loongkoonan-Artist

"...Loongkoonan only took up painting in her mid-90s, embracing it with such originality, confidence and dedication her work soon found its way into museums and private collections."

She only took up the paint brush in her-mid 90s.

And now, at what she calls the “still very lively” age of 105, Aboriginal Australian artist Loongkoonan is being honored with the first international exhibition of her work, minutes from the White House.

The woman who inspired the show Yimardoowarra: Artist of the River is an indigenous elder and matriarch from the west Kimberley region in Western Australia — Nyikina country or the country of the river, named the Fitzroy by European colonizers.


Read more - New York Times

Ngalyak


Text from the above poster:


"...Executive producers Madjulla Inc. and Big Mama Productions Present - The Ngalyak and the Flood - A Franco-Australian Creation - With the participation of the Bronnert and St Julian Schools (France), and Kimberley schools (Australia)."



France – Australia: Coming Together

From the Mardoowarra to the Meuse…

In 2014 we started to work on a joint project between the towns of Broome in Western Australia, and Charleville-Mézières in France, to foster a relationship between the two towns.

Dr. Anne Poelina and Ian Perdrisat had met with Gilbert-Philippe Vaillant (writer and story-teller), Philippe–Kimberley Vaillant (townplanner-geographer), Jean-Pierre Lemant and David Nicolas (archaeologists) on their first trip to Charleville-Mézières in 2014.

The objective of this meeting was to explore the similarities between two stories set around two rivers. One river in France - the Meuse River, which runs through Charleville-Mézières, and the Fitzroy River, or Mardoowarra for Nyikina people, in Australia, which runs near the remote Nyikina and Walmajarri Aboriginal community of Looma in the West Kimberley region of Western Australia. The Looma community was named after “Looma”, in Nyikina language, which is the name of the blue-tongue lizard featured in the story.  

The creation story from Australia is from the Nyikina Aboriginal people. It relates the story of the Ngalyak mother (blue-tongue lizard), who dies while trying to save her children from the flood. They wait for her to return and become part of the landscape. The other story from France/Belgium is of the Bayard horse, who saved four young men, and who also became part of the landscape.

The friendship between the countries was sealed at this meeting by the sharing of water from each river.

Gwendolyn (Gwen) Knox, of Big Mama Productions, was approached by Dr. Anne Poelina (from the Nyikina Community) and Phillipe Vaillant from Charleville-Mézières, to put together a puppet performance telling the story of the Ngaliak mother and her children.

This was done in preparation for the Festival Mondial des Théâtres de Marionnettes in 2015 to foster the developing friendship between Charleville-Mézières and the West Kimberley region of Western Australia.

Our participation in the 2015 festival is all the more poignant as 2014 marked the beginning of the 100-year commemoration of the First World War, and in particular Australia’s involvement on the “Western Front” in the Ardennes from 4th August 1914.

 Synopsis

The Green tree frogs call in the rain. They perform acrobatics talking about unions and families. This worries the green ants a lot, who start to run around to prepare for the impending flood. The Brolgas hear the frogs and start their courtship dance. The flying foxes who are hanging in their trees complain about the noise and each other. The mother blue tongue lizard wakes up and gives birth to her babies, and takes them on a journey to escape the impending flood. She struggles to find a high hill to put her babies to safety.

The flying foxes take flight at sunset and confuse her. The frogs are very happy that the flood is coming and splash about in the rising water filled with diatoms. The mother manages to place her babies on a high hill but she is washed away to become a sand dune. The babies wait and wait for their mother to return. They wait so long that they turn into stone.

The frogs, ants, Brolgas and diatoms continue their annual cycle of courtship and flooding as long as it doesn’t get interrupted by major climatic changes and environmental degradation.

For more details about this important production please direct all correspondence and inquiries to Dr. Anne Poelina and Ian Perdrisat at:

Postal

Madjulla Inc
PO Box 2747
Broome WA 6725

Telephone

+61 (0)408 922 155

Email

majala@wn.com.au


Photos From The Trip



Post Event - Gallery 1


Post Event - Gallery 2


Post Event - Gallery 3